Liquid Mix 16 Processore Firewire Multicanale

Processore Firewire Multicanale (32 Ch.) per il Missaggio basato sulla Convoluzione Dinamica e il cui

DSP interno gestisce simultaneamente 32 Compressori Vintage e 32 EQ Classici selezionandoli fra le 40

repliche di Compressori e le 20 di EQ disponibili a bordo.Libreria espandibile e disponibile online. E'

possibile creare un super EQ "ibrido"a 7 bande prendendo sezioni classiche di EQ a proprio piacimento.

Bar-graph a LED per il controllo dei livelli. Controllo hardware sul pannello o software come se fosse un

plug-in.

• Unequaled Variety of Classic Emulations the rival even the world's finest studios
  40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
• One of a Kind
  The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations.
  Can you hear the difference? Take the Challenge and find out.
• Hybrid Super EQ
  Create your own totally unique 7-band super EQ, built out of separate classic EQ bands.
• Compressor 'Free' Mode
  Original compressors with limited or absent controls suddenly become fully featured - yours to use as you choose.
• Hardware-powered Plug-ins
  16 instances of Liquid Mix run off the desktop hardware (24 with the optional expansion card installed), vastly reducing the impact on your CPU.*
• Tactile Control Surface
  Apply EQ and compression using hands-on tactile controls. Just plug in, power-up, and dial in the perfect mix.
• Full Plug-in Operation
  Each instance has a dedicated GUI which functions exactly like a plug-in, providing full recall within your session.
• Desktop Metering
  12 LED meters on the hardware controller display i/o levels and gain reduction alongside their respective controls.
• Optional Expansion Card
  The optional expansion card, which is easy to install and fits neatly into the underside of the unit, allows Liquid Mix 16 users to increase the number of channels at 44.1/48kHz from 16 to 24 and the number of channels at 88.2/96kHz from 4 to 8.

* IMPORTANT INFORMATION: FOCUSRITE, the FF logo, LIQUID TECHNOLOGY, LIQUID MIX CONTROL and the LIQUID MIX logo are trademarks of Focusrite Audio Engineering Ltd. DYNAMIC CONVOLUTION is a trademark of Sintefex Ltd. All other product names, trademarks, or trade names are the names of their respective owners, which are in no way associated, connected nor affiliated with Focusrite or its LIQUID MIX products and which have not endorsed Focusrite's LIQUID MIX products. These other product names, trademarks, and trade names are used solely to identify and describe the third party products the sonic behaviour of which was studied for the LIQUID MIX products, and to accurately describe the functionality of the Liquid Mix products. The Liquid Mix products are an independently engineered technology which utilises the patented process of Dynamic Convolution to actually measure examples of the sonic impact of original analogue products upon an audio stream, so as to electronically emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a user as producing the same effects as the original products studied.

• Benefit from the onboard DSP is reduced when used within Pro Tools.
• • Firewire chipsets from TI (Texas Instruments), VIA, and NEC are recommended
  • It is highly recommended that Liquid Mix be run on its own Firewire bus/card
  • In order to use Liquid Mix with a 4-pin IEEE1394 port you will need a 4-pin to 6-pin cable (not included) and must use the PSU (included)
  • AMD users please read some special compatibility information here.
  
  Latency
  Due to the round trip transmission which is required on the firewire bus, a delay equal to 2 x the audio buffer size + 8 samples is incurred. This sample delay results in different amounts of time delay depending upon sampling frequency. With a DAW buffer size of 1024 samples (ie, Liquid Mix latency of 2056 samples), the Liquid Mix latency is as follows:
  
  • 47 ms @ 44.1kHz
  • 43 ms @ 48kHz
  • 23 ms @ 88.2kHz
  • 21 ms @ 96kHz
  
  With a DAW buffer size of 256 samples (ie, Liquid Mix latency of 520 samples), the Liquid Mix latency is as follows:
  
  • 12 ms @ 44.1kHz
  • 11 ms @ 48kHz
  • 6 ms @ 88.2kHz
  • 5 ms @ 96kHz
  
  Sequencer compatibility
  
  Liquid Mix 16 operates as VST, AU, or as a RTAS-wrapped VST within compatible hosts.
  
  Cubase 4 on Intel Macs does not support VST 2.3 plugins. If you want to use Liquid Mix 16 with Cubase 4 on an Intel Mac, you must install the Liquid Mix 2.4 VST plugins available separately on the Liquid Mix downloads page.
  
  Optional Expansion Card details
  
  The card is suitable for those people interested in increasing the channel count. The channel count increases as follows:
  
  Channel Counts:
  • 44.1kHz/48kHz: 16 channels mono, (8 stereo) unexpanded. Expansion card provides 24 mono / 12 stereo
  • 88.2/96kHz: 4 channels mono, (2 stereo) unexpanded. Expansion card provides 8 mono / 4 stereo
  
  Weight
  • 0.8kg
  • 1.76lbs
  
  Dimensions
  • 220mm (W) x 28 - 45mm (H - front to rear) x 152mm (D)
  • 8.66" (W) x 1.1" - 1.77" (H - front to rear) x 5.98" (D)
  
  * IMPORTANT INFORMATION: FOCUSRITE, the FF logo, LIQUID TECHNOLOGY, LIQUID MIX CONTROL and the LIQUID MIX logo are trademarks of Focusrite Audio Engineering Ltd. DYNAMIC CONVOLUTION is a trademark of Sintefex Ltd. All other product names, trademarks, or trade names are the names of their respective owners, which are in no way associated, connected nor affiliated with Focusrite or its LIQUID MIX product and which have not endorsed Focusrite's LIQUID MIX product. These other product names, trademarks, and trade names are used solely to identify and describe the third party products the sonic behaviour of which was studied for the LIQUID MIX product, and to accurately describe the functionality of the Liquid Mix product. The Liquid Mix product is an independently engineered technology which utilises the patented process of Dynamic Convolution to actually measure examples of the sonic impact of original analogue products upon an audio stream, so as to electronically emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a user as producing the same effects as the original products studied.